This triptych incorporates a tattoo of Daphne’s metamorphosis into a laurel tree. The tattoo, based on the sculpture by Bernini, depicts Daphne’s flight from Apollo, who is lusting after her. The forms below the woman’s hand seeming to reach for Daphne mirror Apollo’s grasp and the painted forms give the sense of Daphne’s flight. The myth of Daphne’s choice to transform into a laurel tree is a well known Greek myth.