Recently I found a goose feather and as I walked, with the feather in my hand, I noticed how the feather responded to the wind. I felt how a bird feels as it flies.
At the Cooper Hewitt in New York City, there is an exhibit titled “Rebeca Mendez Selects” which highlights the fate of the Aztec ruler’s, Moctezuma II’s, private aviary at the hands of the Spanish conquerors. The Spanish set fire to his aviary and killed all the birds, which had come from all over the Americas. That this act demonstrates the destructive powers inherent in colonialism; it also illustrates the tensions arising from our conflicting impulses towards nature. This exhibit shows birds as sources of art, design and science and also discusses the effects of climate change and human avarice.
My artwork in the form of palladium prints is on exhibit. This exhibition has been curated by Azure Arts and the dates are February 23, 2023 to March 13, 2023. The venue is located at 5 Rivington Street in Manhattan. My work is in correspondence with two other artists who address the theme of “Vital Impetus”.
“Vital impetus” derives from the concept of “elan vital” , a term coined by the French philosopher Henri Bergson. Rather than simply adhering to a set of mechanistic laws, Bergson contended that life has an inherent drive or impulse towards creativity, growth and innovation. While his philosophy emphasizes the role of individual experience, consciousness and creativity, he also saw the ‘self’ as fundamentally connected to others. The ‘self’ for Bergson, stands in dynamic relation to others. The ‘self’ is evolving constantly through its interactions with others.
In my artworks on exhibit, the human body is explored as a site for construction and communication of identity. Tattoos are vehicles for merging our human experiences with the larger world. By culling images from mythology, artifacts, and flora and fauna, my work explores the vital connections between self and other.