On exhibit at ChincharMaloney in Taos, NM https://chincharmaloney.com/shop-art/alice-garik
are fifteen of my unique palladium prints. That the black and white palladium prints are in Taos is significant because in Zuni culture the use of black and white in their pottery represents the upper world. The featured print here of her hands crossed in a flight movement with her bird tattoo relates to the world of spirit.
My palladium prints are handmade using the traditional analogue darkroom techniques of making negatives, either camera-less or photographs with a 4X5 large format camera. Brushing palladium on handmade Japanese gampi, I layer my negatives and expose them using the sun. The resulting montage is spontaneous and suggests movement with the images embedded in a paper with the tactility of silk.
When in the Gulf of Maine the sea ebbs, the seaweed named Irish moss is revealed. Irish moss cushions living things in layers. Rachel Carson describes this as “life exists on other life, or within it, or under it, or above it” in her book “The Edge of the Sea”.
At Arts Gowanus Open Studios, October 19 and 20, noon to 6 PM, 69 Second Ave., Brooklyn, I will display this camera-less, palladium print in collaboration with this poem by poet Diane Mehta.
Vent a dome, invent a habitat
for tubeworm, sea-stout, eelpout
waltzing, 700 degrees in love.
They must know their origin
is hydrothermal swirling,
that fate is motion-of-lfe
agitating to occupy the world.