When in the Gulf of Maine the sea ebbs, the seaweed named Irish moss is revealed. Irish moss cushions living things in layers. Rachel Carson describes this as “life exists on other life, or within it, or under it, or above it” in her book “The Edge of the Sea”.
At Arts Gowanus Open Studios, October 19 and 20, noon to 6 PM, 69 Second Ave., Brooklyn, I will display this camera-less, palladium print in collaboration with this poem by poet Diane Mehta.
Vent a dome, invent a habitat
for tubeworm, sea-stout, eelpout
waltzing, 700 degrees in love.
They must know their origin
is hydrothermal swirling,
that fate is motion-of-lfe
agitating to occupy the world.
This November 2024 I have two special, to me, artworks on exhibit in a juried exhibition called “Spectrum of Exposure” at BWAC, Brooklyn Waterfront Artists Coalition in Red Hook, Brooklyn, NY.
These two works reflect my desires that women, children and nature will flourish despite the violence and destruction we are witnessing. I will share my vision for this particular artwork, “Breathe”, which I am featuring in this post.
I have developed this work with layers of photographs of a woman and her baby, branches of an oak tree and the blossoms of this oak tree. The woman with her birthing baby seem to support the branching oak. The blossoms of the oak tree drape around them. I have printed all the negatives using palladium, which I brush onto handmade Japanese gampi paper. Then I painted green and red pearlescent watercolor. The green is for photosynthesis that trees use to convert carbon dioxide into sugars and release oxygen, which we breathe. The red is our blood, the carrier of oxygen in our bodies.
This work of life and breath is my offering to women, children, plants and animals worldwide.